Lead Researchers: Akosua Adomako Ampofo , Awo Mana Asiedu
This project sought to explore and understand the ways in which women are represented in different music genres, and by different artistes over the period 1970 to date. The researchers examined the main themes about women in the song lyrics, both explicit and implicit, focusing on narratives of women's bodies and their roles as workers, providers and caregivers.
Popular music plays a significant part in the everyday lives of people across age, class, religion, ethnicity and social occasion. In Africa, musicians are frequently powerful public figures capable of conveying ideologies through their lyrical and verbal pronouncements. Many popular songs portray women as sex objects and convey misogynistic constructions of women. At the same time, however, other songs hail women as perfect lovers and sacrificial mothers. …
This article maps the multiple methods used to bring scholar-activists, music producers and music consumers together in a conversation that culminated in the creation of three winning ‘empowering songs’ from the ‘Changing representations of women in popular music’ project. This project explores the gendered stereotypes of women in popular music, and seeks to contribute to reflection on, and creation of, alternative (empowering) narratives about women through song. The article discusses this marriage of research and advocacy and reflects on some of the outcomes from ‘corporate’ reflections – all of which generated a lot of passion about the tensions and possibilities around women’s representations and roles. The authors conclude that for research findings to have practical and policy value and legitimacy, what, how, when and where we communicate our messages is extremely important. …
Ama Ata Aidoo is an iconic African writer who has inspired generations of black and other women writers. This latest collection of short stories brings together diverse themes that speak of the relationship between Africa and its diaspora in terms of home, exile and sense of belonging and alienation. It reveals the complexities involved in the African diaspora connections, engaging with a sense of anomie and fragmentation, revealing her interest in presenting common human frailties. Steeped in Ghanaian and African history, her craftmanship also embraces pertinent new levels. …