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In this chapter, the authors draw on a project that explored the gendered stereotypes of women in Ghanaian popular music, and sought to contribute to reflection on, and creation of, alternative (empowering) narratives about women through song. The project involved an extensive analysis of the lyrics of music produced by Ghanaian popular artistes since the 1930s, using emerging themes as an entry point for workshops with popular artistes. …

Popular music plays a significant part in the everyday lives of people across age, class, religion, ethnicity and social occasion. In Africa, musicians are frequently powerful public figures capable of conveying ideologies through their lyrical and verbal pronouncements. Many popular songs portray women as sex objects and convey misogynistic constructions of women. At the same time, however, other songs hail women as perfect lovers and sacrificial mothers. …

This article maps the multiple methods used to bring scholar-activists, music producers and music consumers together in a conversation that culminated in the creation of three winning ‘empowering songs’ from the ‘Changing representations of women in popular music’ project. This project explores the gendered stereotypes of women in popular music, and seeks to contribute to reflection on, and creation of, alternative (empowering) narratives about women through song. The article discusses this marriage of research and advocacy and reflects on some of the outcomes from ‘corporate’ reflections – all of which generated a lot of passion about the tensions and possibilities around women’s representations and roles. The authors conclude that for research findings to have practical and policy value and legitimacy, what, how, when and where we communicate our messages is extremely important. …

In 2007, the West Africa Hub of the Pathways in collaboration with ABANTU for Development organized a three-day gathering with district assembly women to talk about their experiences in the 2006 local elections in Ghana. The aim of the dialogue was to create the opportunity for the local female politicians to reflect on their experiences in participating in the local elections. They were encouraged to link these experiences to their life histories as a way of exploring the meaning and sense they have developed about participating in the election process and how it may have empowered them. …

This paper presents an overview of the processes, interventions, policies and personal experiences that lead to, or are associated with the somewhat ambiguous concept of women's ‘empowerment’ in Ghana. The task the authors set themselves was to find out from existing literature and key civil society organisations in Ghana today what kinds of actions have been implemented, and the policies and processes that seem to be associated with women's ‘empowerment’. …

Representations of women in popular music can reinforce or challenge stereotypes. Pathways researchers, Akosua Adomako and Awo Asiedu, researched the changing representations of women in Ghanaian popular culture. They analysed the gender content of the lyrics of 250 Ghanaian popular songs from the 1950s to the present. Their textual analysis showed that the messages contained in these songs were often negative, portraying women as sex objects, or as fickle and jealous. …

Ama Ata Aidoo is an iconic African writer who has inspired generations of black and other women writers. This latest collection of short stories brings together diverse themes that speak of the relationship between Africa and its diaspora in terms of home, exile and sense of belonging and alienation. It reveals the complexities involved in the African diaspora connections, engaging with a sense of anomie and fragmentation, revealing her interest in presenting common human frailties. Steeped in Ghanaian and African history, her craftmanship also embraces pertinent new levels. …

This project sought to explore and understand the ways in which women are represented in different music genres, and by different artistes over the period 1970 to date. The researchers examined the main themes about women in the song lyrics, both explicit and implicit, focusing on narratives of women's bodies and their roles as workers, providers and caregivers. …